Facebook and Twitter said they were looking at a similar course of action but did not commit to it. Facebook and Twitter could face 'abuse levy' On Britain First, a far-right group, Facebook's director of public policy Simon Milner said it was reviewing its future. "Clearly there are issues with the pages but we are very cautious about political speech," he told MPs. He added that, until recently, it had been registered as a political party. Conservative MP Tim Loughton accused technology giants of inciting violence through inaction. "This is not about taking away somebody's rights to criticise somebody whose politics they don't agree with," he said. "It's about not providing a platform - whatever the ills of society you want to blame it on - for placing stuff that incites people to kill, harm, maim, incite violence against people because of their political beliefs." "You are profiting from the fact that people use your platforms and you are profiting, I'm afraid, from the fact that people are using your platforms to further the ills of society and you're allowing them to do it and doing very little, proactively to prevent them," he added. Committee chairwoman Yvette Cooper said that as three of the "richest companies in the world", the firms "needed to do more" on hate speech. She accused YouTube of failing to remove a racist video repeatedly flagged up to it by her. Ms Cooper described how, over the course of eight months, she repeatedly checked whether a propaganda video from far-right organisation National Action had been taken down, after Google agreed that it violated its policies. She found that it remained on the platform for more than half a year.
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This gave rise to the company’s famous Google Doodles, which are usually designed to honor important historical events, influential people, and holidays, and have become a mainstay for the search engine ever since. Now, 20 years later, Google is launching its first ever Doodle in virtual reality to celebrate Georges Méliès, the French filmmaker and illusionist that some have called the “ father of special effects.” Google is timing the Doodle’s launch to coincide with the release date of one of Méliès’ popular works, “À la conquête du pôle (The Conquest of the Pole),” which was released in 1912. Google’s short film pays homage to Méliès’ legacy as a magician, filmmaker, and visual artist. The Doodle starts with Méliès setting up a camera in front of a black-and-white scene showing the moon, several stars, and a rocket ship, likely a tribute to his famous film A Trip to the Moon. Similar references are made throughout the Doodle, including a scene in which a cartoon version of Méliès emerges from a giant playing card, as he does in his film The Living Playing Cards, which was released in 1905. Google Doodles have evolved from stationary images to videos and interactive games over the past decade, but this marks the first time Google is bringing its Doodles into VR. The project was a joint effort between Google Spotlight Stories, Google Arts & Culture, and French film organization Cinémathèque Française. The themes for Google Doodles are usually plucked from thousands of pitches coming from both inside and outside of the company, Jonathan Shneier, an engineer on Google’s Doodle division, told TIME in 2015 . The team then turns those ideas into feasible topics, with the goal of representing people of all races, genders, and ethnicities and countries from all over the globe.